The
motion picture 300 demonstrates the split
between Western intellectuals and the public.
Released in March 2006, 300
depicts the battle of Thermopylae fought
between the Persian host and a handful of Greek hoplites in 480 B.C. The title refers to the 300 Spartans who led
the Greeks in this battle and of which all but one was killed. Based on the graphic novel by Frank Miller
the movie was immensely popular.
According to Variety’s online
report (May 2, “Ripple effect of '300' hits Cannes ”) 300
was a “runaway success” that is “an extremely good omen” due to its box office
success. Worldwide the receipts for 300 are approaching half a billion
dollars.
While
both movie goers and makers have “nothing but love” for the action epic, the
same is not true for many reviewers and intellectuals. For example, Variety’s review of March 9 by Todd McCarthy compares the film to
gay porn and to Gerald Butler’s Leonidas as a “blowhard.” Dana Stevens writing for Slate online
compared 300 to the notorious Nazi
propaganda piece The Eternal Jew. Stevens described the movie as a
“race-baiting fantasy and nationalist myth” that was an “incitement to total
war.”
It
is the theme of 300 that has the
critics hostile not its style. In the
opening voice-over that sets the stage for the movie’s action, the narrator states
the Greece
was the “world’s last hope for reason and justice.” 300’s
epilogue dramatizes the battle of Plataea
where the combined hoplites of the Greek city states defeated the remnants of
the Persian army. Before the battle a
Spartan hoplite steps forward and declares: “today we rescue the world from
mysticism and tyranny.” For a popular
action movie to base its theme on the connection between mysticism and tyranny
and that reason is the source for justice and freedom is truly amazing. It is for 300’s
unapologetic view that Greek (Western) culture was/is superior to Persian
(middle-Eastern) culture that has the intellectuals frothing.
One
of 300’s most interesting reviews was
penned by Mustafa Akyol for the Turkish
Daily News: “300: Orientalism for Beginners.” Akyol characterizes
the film as “a crude Orientalism and a thinly veiled fascism.” By “Orientalism”
Akyol makes clear his agreement with the thesis of Edward Said’s hugely
influential book of that title.
According to Akyol, and Said, it is this Western portrayal of the
Islamic world as “irrational, absurd and stagnant” that is responsible for the
hostility between East and West. Said stated
the problem as the unenlightened Western masses refusal to follow their
academic superiors:
The important point, however, is that a largely unexamined but serious rift has opened in the public consciousness between the old ideas of Western hegemony (of which the system of Orientalism was a part) on the one hand, and newer ideas that have taken hold among subaltern and disadvantaged communities and among a wide sector of intellectuals, academics, and artist, on the other. (p. 348)
The
“intellectual affairs” writer for Inside
Higher Education, Scott McLemee, although admitting to never having viewed
the film, described those
who did as “young, impressionable, historically clueless viewers.” There is a rift between the public and
professional intellectuals particularly in the United States . The fault, however, is with the intellectuals who
long ago abandoned the Western values of reason and justice for those of
mysticism and tyranny.
In
1983 Prof. Leonard Peikoff gave a lecture at the Ford Hall Forum on “Assault from the
Ivory Tower: the Professors’ War Against America.” In his opening statement Prof.
Peikoff notes that upon his first arriving
in the United States in the 1950s to attend New York University he was struck
by his American professors’ hostility to their own country. “I do not know another country in which
anti-patriotism has ever been the symbol of an ideology on such a scale.” Prof. Peikoff states his belief that this is
caused by the fact that America
was based on an ideology. The Founding Fathers
Enlightenment ideals, based largely on classical Greece
and Rome , are
“anathema to today’s intellectuals.”
In
his discussion of postmodernism the historian Mark T. Gilderhus states that,
“as the theory holds, Enlightenment ideas about reason, objectivity, and
possibilities of progress have no validity….” (History and Historians, pp. 133-4) It is post modern nihilism that explains why
in a conflict between east and west, whether 2500 years ago or today, so many
Western intellectuals side with the Other.
On a positive note, the fissure between the nation and its intellectuals
has become apparent to growing numbers of Americans, hopefully new
intellectuals will arise to again enshrine reason and justice as America ’s basic
values.
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